ficial glaciers for storing winter water and an innovation to presents a possible solution for climate warming and re-glaciation (http://www.icestupa.net/home_En/Projects/). Pan embarked on an intense 3-day solo trek and live-drawing exercise inside the cave-like ice stupa linked to the Morteratsch Glacier in Switzerland.

The Bone (whistle) is heavily textured and treated with an experimental oxidisation process to presents the beauty of unrefined nature. The finishes will continue to change with time and with wear. The Bone whistle is handmade at Pan’s London Studio, and no two pieces are alike.