Raguzzi Kibalchich Elena
Fashion Designer / Product Development/ Production
Raguzzi Kibalchich Elena
Fashion Designer / Product Development/ Production
Lieu
Paris, France
Seniorité
5 - 10 ans d'expérience
À propos
Fashion Designer / Creative designer
SOM Active oct.. 1, 2022 - mar.. 1, 2024
Distance Work, Koweït

• Built the entire design team, hired and interviewed potential candidates
• Introduced to factories from my existing network and sourced new factories
• Created 2 main collections (F/W, S/S) and two capsule collections per year. The process included creating detailed sketches, technical drawings, an

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d specifications for the production of women's cut and sewn apparel and knits
• Prepared trend presentations and mood boards to inspire and inform the design process
• Stayed updated with the latest market trends and customer preferences
• Led the design process from concept ideation to the final product
• Provided all necessary details to complete tech packs and design specifications for garment samples and production
• Participated in sample reviews and fit sessions to provide feedback on the fit, construction, and design details of cut and sewn apparel prototypes
• Understood and maintained the brand's design aesthetic and language in all women's cut and sewn apparel products
• Effectively communicated design concepts and ideas to team members and stakeholders
• In selecting appropriate and sustainable fabrics, trims, and embellishments for cut and sewn garment prototypes and production. Attended Premiere Vision twice a year in Paris
Overseed sample development and production, ensured quality and adherence to design specifications.

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Fashion Designer / Creative designer
Dannijo fév.. 1, 2021 - sept.. 1, 2022
New York, États-Unis

• Developed 4 seasonal collections that reflect the brand’s identity while pushing boundaries and staying ahead of industry trends. The process included creating detailed sketches, technical drawings, and specifications for the production of women's cut and sewn apparel, knits, dresses, outerwear
• W

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orked on finding the core of the creative concept definition and on the design process from the sketch to actual samples until production
• Participated in brainstorming sessions and concept ideation to develop new and innovative designs
• Conducted research on fashion trends, color palettes, fabrications, and garment styles relevant to women's cut and sewn apparel
• Led the design process from concept ideation to the final product
• Worked closely with suppliers and product developers to ensure material availability and quality
• Provided all necessary details to complete tech packs and design specifications for garment samples and production
• Worked closely with cross-functional teams, including product developers and merchandisers, to ensure seamless execution of design concepts
• Mentored and guided junior designers, fostering their growth and development within the organization
• Collaborated closely with cross-functional teams, including merchandising, production, and marketing, to ensure alignment with brand objectives and timelines

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Product Development/ Production
THOM BROWNE oct.. 1, 2015 - fév.. 1, 2020
New York, États-Unis

Through almost five years of working at Thom Browne, I got an opportunity to grow in different departments. I started on the design team, then product development, and was promoted to manager of the entire production.
• Led the entire production team to oversee the production process for the Main an

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d Runway collections including cut and sewn apparel, knits, footwear, accessories and bags, VIP deliveries, and special projects
• Built and maintained relationships with cross-functional partners, vendors, and overseas offices in Milan, Paris, Tokyo
• Acted as a bridge between revenue teams and the product development teams, skillfully translating market needs into actionable product requirements to deliver market-ready products that align with both brand and business objectives
• Delivered high-quality, valuable solutions within defined timelines and budgets
• Drove cross-functional calendar adherence and alerted cross-functional partners to calendar implications/business impact, should deliverables be missed
• Facilitated vendor meetings to review in-season development, production & delivery challenges
• Prioritized features and enhancements that maximize customer and business impact
• Collaborated with the design team and product development team to ensure collaboration/alignment throughout the development process
• Facilitated and participated in seasonal product reviews to evaluate sample execution and alignment to tech pack requirements
• Participated in sample reviews and fit sessions to provide feedback on the fit, construction, and design details of cut and sewn apparel samples and PPS
• Collaborated with the design team and brand team to ensure consistency in storytelling and branding across cut and sewn collections

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Summer Course
Central Saint Martins (London) 2015 - 2015
London, Royaume-Uni
Finalist
FIT Award
2015
New York, États-Unis

Runway Finalist

Fashion Design, BA
Fashion Institute of Technology (FIT) 2010 - 2015
New York, États-Unis

Fashion Design

Contemporary Art, BA
EHU 2005 - 2009
Vilnius, Lituanie

Contemporary Art and History of Art

Secteurs d'activité

Fashion

Skills

Fashion Designer

Draping

Sewing

Pattern Making

Product Development

DIGITAL FLATS

Fashion illustration

• Proven expertise in apparel fitting specs

• Strong project management and multi-tasking skills

Compétences logiciels

Adobe Photoshop

Adobe Illustrator

ADP

Langues

anglais

Bilingue

russe

Bilingue

français

Courant

Personal details

Carte Verte / Permis de travail américain

Permis de travail UE

Mobilité géographique envisageable

Références professionnelles

Upon Request

Fashion’s Favorite Pilates Studio Is Launching Its Own Line of Workout Gear

If you live in New York and work out regularly, chances are you’ve heard of New York Pilates. Founder Heather Andersen opened her first studio in a West Village basement in 2013, and in six short years, she has not only upgraded her basement space into a modern, two-story location on Houston Street,

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but has also opened two additional locations in downtown New York, one in Montauk, and another in Southampton. Suffice to say that with its pink-lit studios and array of beauty products to choose from in the bathrooms, the brand is essentially the Glossier of workout studios: simple, millennial, and with a cult following.

As such, New York Pilates has quickly become a favorite among the fashion crowd. Brands such as Vestier and ANDAR have collaborated with the studio on press events while editors and publicists alike frequent the studio for work and for pleasure. There is, like with any cool brand, plenty of cheeky merch that can be purchased at every location, too, from a baseball cap with a peach emoji on its front—it’s supposed to suggest a nicely toned derrière (from pilates, of course!)—to T-shirts that boldly read “What the Fuck Is New York Pilates?” But in the workout rooms there is little evidence of Andersen’s personal fashion aesthetic. Instead, attendees typically sport pastel leggings, coordinating sets from Outdoor Voices, or leotards from Live The Process. That’s all about to change, however, with the highly anticipated launch of NYP Tech Sport, a line of sleek activewear that serves as an extension of the already recognizable brand.

Andersen brought on her friend Elena Kibalchich to design the collection. An alum of Thom Browne, Kibalchich is well versed in feminine tailoring and worked hand in hand with the founder to create pieces that are “elegant, but not too loud, sexy but not too vulgar, simple, but not flat. Activewear that emphasized the body while hiding the unnecessary, unflattering bits.” In total, the collection consists of 14 pieces ranging from a ballerina-inspired bodysuit to bike shorts with a detachable chain detail. “Because I spend most of my day in activewear, I try to pick pieces that will make me feel beautiful, sexy, and still cool,” says Andersen. “When it came to designing my very own collection, I wanted to make sure that they could seamlessly weave in and out of the studios to the streets of New York.”

When it came down to the technical aspects of designing these workout clothes, Kibalchich found inspiration in the delicate lines of the human musculature. “I wanted to highlight the human form by accentuating the muscular lines,” the designer says. “I wanted the pieces to embody movement.” The earthy color palette complements the studio’s spare, linen-accented decor, too, with touches of pale pink, copper, and chocolate. “All the colors are easy to mix and match and looks great on all skin tones” Kibalchich continues.

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