owly directs the visitor’s gaze towards rambling, decontextualized and slippery elements of the Riva degli Schiavoni and the Palazzo Ducale; in front of the church of San Giorgio Maggiore.

Operate thenceforth an impression of movement in a loss of balance, of recomposing landscape and a patchwork observation of the architectural mesh, offering the possibility of both detailed and fractional evasion from our environment.