shirts and denim pants. Dresses and sweaters hung in raw-edged shreds from the models’ bodies.

The collection underlined Ottolinger’s unorthodox, and refreshing, notion of sex appeal: while chaps and said burn holes expose plenty of their wearer’s skin, the sex of the design lies in its ignorance of what is considered flattering to our physique. Embracing a certain messiness, a controlled fire, the label makes clothes for a modern woman, playfully navigating life as she sees fit.”