were designed for men and women alike using with free-hand pattern cutting, other pieces were realised by combining traditionally masculine and feminine patterns.

The inspiration behind the collection stemmed from abstract art and sculpture: “I am drawn to simplicity and abstraction, so I love the sculpture of Jean Arp, Henry Moore, Barbara Hepworth, and Camille Henrot. When I think of a genderless future, I imagine their primordial forms,” he said. “The Arte Povera movement revealed the dignity of commonplace things and inspired my use of found objects. Scrap metals, wooden pottery ribs, and old sweaters are given new meaning as part of the structure of the garments.”