t about recognizing the value of what we already carry within: our cultural references, our territory, our visual languages.

I turn to fashion as a language, not as a system of consumption. There are no garments in the conventional sense—no products, no trends. What there is: the body, the artwork, history, and reinterpretation. I take elements that were never intended to be worn and place them in a new context, where they gain symbolic, intimate, emotional meaning. What I propose is an act of creative introspection, where the image becomes a gesture of resistance to the constant demand for novelty or scarcity-driven production.

In this sense, sustainability is expressed as a gesture of pause, of listening, of rescue. It is a form of creation that emerges from recognition and respect for what already exists: artworks, artists, materials, memories. It offers a break from the linear logic of use and discard, proposing instead a more conscious cycle—one in which art, the body, and the image engage in a dialogue that is deep, honest, and enduring.